The Japanese scientist Sekai [=the world], seeking a bright future for mankind, invents a motor that burns water. His wife Hikari [=the light], dies when giving birth to their son Aun [the beginning and the end of all things]. As a toddler Aun discovers an unusual sea snail at the beach. Sekai uses it for experiments involving his own body, which ultimately kills him. Twenty years later Euclides [=number theorist], a deaf scientist from Brazil’s capitol – the modernist Brasília – carries on Sekai’s experiments. He believes the sea snail to be the missing link to a livable future and therefore asks his wife Nympha [=pupal stage of butterfly] to find Aun. She takes on an ancient Japanese card game with the Japanese yakuza as she discovers that Aun used to gamble in Tokyo. Fairies from the woods send her an elf messenger who leads her to Aun – now serving as a priest in a Shinto shrine. Infatuation takes a hold of them. Nympha enters the world Sekai had envisioned. Euclides, by now in trouble with the sponsors of his project gets his wife to lead him to Aun’s shrine. As they arrive Aun – aged dramatically – hands the sea snail to Euclides. Delighted the latter carries out experiments while his wife tries to find a way back to the world she’d been able to experience. Euclides rejoices as he believes to having succeeded in creating ‘the future’. The fairies put a spell on him. Euclides dies. With his last breath he exhales a substance that makes the world vanish from the universe.‘AUN – the beginning and the end of all things’ tells the story of mankind’s quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the 21st century has taken over the entire world and has succeeded in maneuvering the globe into a situation that can’t be solved by means of economics and science anymore. Enlightenment’s merits have taken the West’s ability to sense what is not to be seen, what is only to be felt. Believes are so much more than religion, than monotheistic concepts. Souls and spirits exist not only in film. Denial and neglect of eternal laws lead to extinction – of the individual and the entire human race. AUN invents rituals as well as mythologies and worships the creator of it all – nature – by playfully laying out its dichotomy with human culture. The film equals mankind’s beauty with nature by announcing that ‘everything mankind creates in nature’. Sadly the hubris ends and gives the audience the chance to heartily weep for the world.

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这个世界上没有完美的人事物。在我个人眼中，《热辣滚烫》有优点，也有不足。“电影，永远是观众解读是第一位的，轮不到导演解读……我读到了这样的信息，我就这样告诉你们。当然，你可以读到别样的信息。”——by中国内地表演指导、导演、演员张颂文老师优点：人物设定是有一定依据的基本上每一个人物都能从“他人”（这里的“他人”包括但不限于：真实围绕在身边的人、朋友口中的陌生人、来自电视剧或新闻里看到过的人）身上，找到那么一些蛛丝马迹的“原型”来，让我觉得：没错，身边确实有这样的人

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年，南京，特工金深水（张译饰）在军统、汪伪政府和日本军方之间，为了生存而游刃有余。而林婴（郎月婷饰），一个同样心怀国仇家恨的人，与金深水一起面对南京城里的明争暗斗。这部电视剧以充满悬疑、抗战和爱情的故事，展现了在战争年代个人和民族所经历的种种困境与挑战。

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影片中的特效处理得非常棒，尤其是战斗场面和特效效果的处理，都让人眼前一亮。这样的处理方式，不仅让影片更加生动有趣，也让观众更加深入地了解了敦煌的历史和文化。

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如果要从火爆的春节档中挑出一部看得感人肺腑、回忆隽永绵长的电影，《我们一起摇太阳》绝对是No。相信不少朋友像我一样，起初看到这部电影的简介，会有点担心：在这种节日气氛浓郁的时候，看一部关于重症患者的电影，会不会有点太不合群？看过电影后，发现自己真是多虑了！从《滚蛋吧！肿瘤君》到《送你一朵小红花》再到《我爱你！》。韩延的电影总是把视线放在我们鲜少了解的人群。好的故事，从不会让观众有置身事外的距离感。诚然，韩延的电影中，主角的人生多多少少都陷入困境，可就是在这些看似贫瘠的